‘The Sopranos’: Peter Riegert Wouldn’t Play Assemblyman Zellman’s Heaviest Scene as David Chase Wrote It

When Peter Riegert arrived on the set of The Sopranos, he was coming on a highly successful show in its third season. Riegert knew that well. Prior to landing the role of Assemblyman Ronald Zellman, Riegert had auditioned for the role of Eliot Kupferberg, psychiatrist to Dr. Melfi (Lorraine Bracco).

Though that role went to Peter Bogdanovich in the end, Sopranos creator David Chase kept veteran actor Riegert (Local Hero, Traffic) in mind. And when Chase needed someone to play corrupt New Jersey pol Zellman, he called Riegert.

The second time around, the casting was a perfect match, as audiences saw for three episodes of season 3 (2001). But things took a turn at the end of Zellman’s character arc in season 4. The last we saw of him, Tony Soprano (James Gandolfini) was savagely beating Zellman with a belt.

It could have been worse. As Riegert recalled it, Chase’s original script had an even more humiliating end for the assemblyman. Riegert refused to go through with it as Chase had written it.

Assemblyman Zellman was stripped naked in his final ‘Sopranos’ script

Peter Riegert as Assemblyman Zellman stares intently at someone off camera in 'The Sopranos'
Peter Riegert as Assemblyman Zellman in ‘The Sopranos’ | HBO

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On the Talking Sopranos podcast, Riegert looked back on his final scenes, which came in “Watching Too Much Television” (season 4 episode 7, 2002). As Chase originally conceived it, Tony (Gandolfini) was going to mortify Zelleman (Riegert) by stripping him nude.

In the episode, Tony becomes enraged that Zellman had begun seeing his former goomar Irina. Late one night, Tony pays Zellman and Irina a visit. At that point, Tony was to rip off Zellman’s underwear. Right away, at the episode’s read-through, Riegert knew it was a problem.

“As far as I’m concerned, I would have liked a heads-up,” Riegert said. “That one really caught me off-guard.” Gandolfini noticed Riegert lingering after the read-through and asked him what he felt about it; Riegert said he wasn’t happy about it.

So Gandolfini brought Chase over to talk about it. Riegert didn’t see the creator/showrunner bending on the script. “That’s the way I wrote it,” he recalled Chase telling him. And the conversation ended at a bit of a stand-off. But Gandolfini told Riegert he’d back the actor no matter what he decided to do.

Riegert found a workaround in the belt Tony Soprano uses on Zellman

Peter Riegert and KAaen Allen smile at the camera in 2002
Master of Ceremonies Peter Riegert and actress Karen Allen arrive at the 2001 National Board Of Review Awards Gala. | Evan Agostini/ImageDirect

The bottom line was Riegert didn’t see the need to humiliate the actor to humiliate his character Zellman. That’s how he phrased it to Chase. “I said, ‘David, I promise you the audience will be horrified by what they see. But you don’t have to humiliate me for me to get this across.'”

While Riegert risked getting fired for defying the showrunner, he had Sopranos star Gandolfini on his side him. That meant everything. “Whatever you decide to do, I’ll back you,” he recalled Gandolfini telling him. And so Riegert went into that final scene knowing Gandolfini would respect his wishes.

Before the cameras rolled, Riegert found a Styrofoam belt in the prop department he thought they could use for the scene. After getting the prop master to hit him with it, he realized Tony hitting Zellman with it could be a substitute humiliation. And that’s what Gandolfini did (convincingly so). It all worked out in the end.