All of Lucille Ball’s Comedy Was Meticulously ‘Coached’, Edie Adams Claimed
I Love Lucy madeΒ Lucille BallΒ one of the most famous sitcom actors of all time. However, several people who used to work with Ball claim that basically every comedic move she made was strategically βcoached.β
βI Love Lucyβ star Lucille Ball wasnβt naturally funny, according to actor/singer Edie Adams

When actor Edie Adams sat down for an interview with theΒ Television Academy Foundation, she revealed that on theΒ Lucy-Desi Comedy Hour β on which Adams appeared β everything funny Ball had to do was written out in detail.
βShe was brilliant in what she did,β Adams said. βBut she was not a β¦ natural comic.β Adams chalks this up to Ball being new to comedy when she started off.
βShe had done a lot of small parts in movies but no really heavy comedy,β Adams explained. To train Ball, her then-husband/fellow I Love Lucy co-star Desi Arnaz hired an expert.
βHe got a clown from either Mexico or Cuba that had worked live β¦β Adams recalled. Arnaz bought the clownβs act so he could βteach it to Lucy.β He was essentially preparing Ball for the I Love Lucy premiere.
βThey knew they were going to do the pilot in September, and the year before β this is in the early β50s β they toured the country doing this thing with the guy there coaching her on every little thing,β Adams continued.
The Lucy-Desi Comedy Hour alum claims that Ball essentially mimicked this clownβs every word and move.
βAnything that she did that was like that was coached by this old guy,β Adams shared. The Apartment star, who had worked with her husband, comedian Ernie Kovacs on other comedy shows, said that Ball was totally different in her comedic approach from any other comic.
βLucy was a stickler,β Adams said.

Director Jay Sandrich recalls Ballβs meticulous attention to detail on the set of βI Love Lucyβ
In his own interview with Television Academy Foundation, legendary director Jay Sandrich recalls working with Ball on I Love Lucy β and confirmed much of what Adams claimed.
Then an assistant director on the series, Sandrich marveled at how Ball had to βbe an expertβ in a lot of different things. Whatever her TV character was doing that week, she had to get it down pat β βso she could relax and be comedic.β
Sandrich remembered a particularly memorable episode, βan hour show with Red Skelton.β He and Ball were in a boxcar in one of the scenes, and the comedian Red Skelton was pantomiming eating a meal. Ball was supposed to do the object work exactly the same way.
Ball βstopped him in rehearsalβ to ask the fellow actor exactly how he was acting out the meal.
βI donβt know, I just do it,β Red Skelton responded. Ball wasnβt satisfied with that response.
βNo, youβve gotta show me,β she demanded. βShow me how you do it.β Red Skelton complied.
βFor 2 or 3 hours, he tutored her,β Sandrich recalled. Red Skelton was telling her: βYou gotta feel that thereβs a glass there; youβve gotta feel the weight. You bring it up to your lips, and youβve gotta pretend like youβre swallowing the liquid.β Ball would answer back: βshow me.β
Lucille Ball had to βbe in control of the comedyβ, Sandrich claims
Apparently, Red Skelton had to break it down βmoment by moment by moment.β
βWell, by the end of those 2 or 3 hours β¦ she was as good as he was,β the I Love Lucy AD shared. However, much like Adams claimed, that talent was intensely studied, rather than inherent.
βShe was so technical,β Sandrich continued. βEverything was very thought-out and appropriate to whatever she was doing.β
Even the guest actors on I Love Lucy had to say their lines exactly the same way each and every time. Anything else would throw her off.
βShe had to be very much in control of the comedy, then she could relax and be funny,β Sandrich said.