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‘Who Framed Roger Rabbit’: Jessica Rabbit’s Voice Actor Suggested a Surprising Change to the Character

'Who Framed Roger Rabbit' owes much of its identity to 1940s film noir, including the Femme Fatales, whom Jessica Rabbit is based on. Surprisingly, her oversexualized nature is partially due to her voice actor, Kathleen Turner, revealing in the Disney+ show ‘Prop Culture that she suggested that the Toon be even more exaggerated.

Disney hesitates to plaster their name across Robert Zemeckis and Steven Spielberg’s Who Frames Roger Rabbit. While Disney+ made the film available for fans, the violence, alcoholism, and the intentionally oversexualized Jessica Rabbit does not fit Disney’s usual style. Kathleen Turner, Jessica Rabbit’s voice actor, admits responsibility for some of Jessica Rabbit’s more controversial attributes.

Bob Hoskins is seduced by Jessica Rabbit in 'Who Framed Roger Rabbit'
Bob Hoskins and Jessica Rabbit | Buena Vista/Getty Images)

Was the ‘Who Framed Roger Rabbit’ character a sexist depiction or feminist satire?

Who Framed Roger Rabbit broke new ground in the world of animation. Combining live-action actors like Bob Hoskins and Christopher Lloyd with animated Toon in a way that looked real astounded audiences.

The acting methods of filming a scene with one real actor and an invisible one were brand new. Nowadays, with CGI, acting alongside invisible characters is almost routine.

Zemeckis’ film owes much of its identity to the 1940s film noir films. The hard-boiled, heavy-drinking detective, twisting murder plots, and Femme Fatales.

The animated/live-action hybrid serves as a love letter to the style and a satire.

Eddie Valiant’s drinking is addressed as a character flaw instead of using it to make him appear as a ‘tough guy.’ Likewise, Jessica Rabbit is meant to be dialed to 11, as if she was a Toon drawn by a misogynistic artist.

After all, she’s not bad, she’s just drawn that way.

The Disney+ show Prop Culture drops behind-the-scenes details of movies like The Nightmare Before Christmas and Mary Poppins. The show revealed Jessica Rabbit’s voice actor Kathleen Turner suggested giving Jessica Rabbit even more curves than Zemeckis and her male castmates designed.

Kathleen Turner wanted Jessica Rabbit more exaggerated

Turner discussed considering the physicality of the Toon, how she moved when breathed, or spoke with her big lips. Many compared her to the likes of Betty Boop, a character actors still dress as for Halloween parties and cosplays.

“Oh, it was such fun,” Turner reminisced in the Prop Culture episode. “We’d say, ‘let’s make her a little breathier!’ Alright, why not!”

Discussing the character’s design further, namely the changes Jessica underwent from draft to model to final frame, Turner admitted her role beyond voicing the character.

“Honestly, some of that is my doing. I suggested that her legs be longer because, frankly, I was rather known for that myself. And the bustier business came about because I kept saying ‘Wouldn’t it be funny, Bob, if we get some really big [gasps] in there, we can bounce ‘em!’”

As Jessica Rabbit’s voice actor reembodied the character in the interview, demonstrating the breathiness as she described it. She was definitely a mature character that might be more at home on Adult Swim than Disney+.

Kathleen Turner loved being Jessica Rabbit’s voice actor

Even years later, Turner reasserted how much fun she had as Jessica Rabbit’s voice actor. She looked at an animation cell of Jessica and talked about her love for the character again.

In a day and age where there is a push for body positivity of all shapes and sizes, Turner reiterates what Jessica said throughout the film.



“It’s really not her fault,” Turner said. “She’s so misunderstood.”

The exaggerated Toon holds a special place in Turner’s heart, likely because she had a hand in all aspects of her character. Turner asserts Who Framed Roger Rabbit as a legitimate work of art and agrees with it as a classic movie in filmmaking.

Just like live-action stars, voice actors grow attached to their roles.

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